Includes the following classic films, all directed by the great Frank Capra:
It Happened One Night (1934): Clark Gable and Claudette Colbert team up for laughs as mismatched lovers in this 1934 screwball comedy classic. Spoiled Ellie Andrews (Colbert) escapes from her millionaire father (Walter Connolly), who wants to stop her from marrying a worthless playboy. En route to New York, Ellie gets involved with an out-of-work newsman, Peter Warne (Gable). When their bus breaks down, the bickering couple set off on a madcap hitchhiking expedition. Peter hopes to parlay the inside story of their misadventures into a job. But complications fly when the runaway heiress and brash reporter fall in love.
You Can't Take It With You (1938): James Stewart, Jean Arthur, Lionel Barrymore and Edward Arnold star in this screwball comedy. Arthur stars as Alice Sycamore, the stable family member of an offbeat clan of free spirits, who falls for Stewart, the down-to-earth son of a snooty, wealthy family. Amidst a backdrop of confusion, the two very different families rediscover the simple joys of life...
Mr. Smith Goes To Washington (1939): James Stewart, Jean Arthur and Claude Rains star in this award-winning 1939 classic about an idealistic, small-town politician who heads to Washington and suddenly finds himself single-handedly battling ruthless politicians out to destroy him...
Mr. Deeds Goes To Town (1936): Longfellow Deeds lives in a small town, leading a small town kind of life - including playing the tuba in the town band. When a relative dies and leaves Deeds a fortune, Longfellow picks up his tuba and moves to the big city where he becomes an instant target for everyone from the greedy opera committee to the sensationist daily newspaper. Deeds outwits them all until Babe Bennett comes along. Babe is a hot-shot reporter who figures the best way to get close to Deeds is to pose as a damsel in distress. When small-town boy meets big-city girl anything can, and does, happen.
American Madness (1932): It's the 1930s, the Depression era, and the Board of Directors of Thomas Dickson's bank want Dickson to merge with New York Trust and resign. He refuses. One night, Dickson's bank is robbed of $100,000. The suspect is Matt Brown, an ex-convict whom Dickson hired and appointed Chief Teller. Brown, who's very loyal to Dickson, refuses to say where he was that night. He actually has two witnesses for his alibi, Mrs. Dickson and fellow worker Cyril Cluett, but Brown is protecting Dickson from finding out that Mrs. Dickson was with Cluett having a romantic evening. Cluett, who has a $50,000 gambling debt, is actually responsible for the robbery, but lets Brown take the rap. Will Brown's loyalty to Mr. Dickson pay off, or send him back to prison?
