Act of Violence (1948): This grim melodrama stars Van Heflin as former World War II pilot Frank Enley, a respected contractor and family man, whose wife is played by Janet Leigh. When his troubled, crippled bombardier (Robert Ryan) shows up with a gun and a score to settle, it becomes apparent that perhaps neither man is what he seems to be.
Mystery Street (1950): John Sturges (The Great Escape) directs a revealing-"CSI"-type film about a Boston cop (Ricardo Montalban) called upon to solve the mystery surrounding a skeleton found on a Cape Cod beach with the help of a Harvard forensic expert (Bruce Bennett).
Crime Wave (1954): Legendary director Andre de Toth (House of Wax) was at the helm of this outstanding, but little-known L.A. noir about three escaped convicts from San Quentin who rob a gas station and kill a motorcycle cop. The hardboiled cop heading the manhunt is Sterling Hayden (The Asphalt Jungle
Decoy (1946): Recent Film Noir festivals have provided an opportunity for audiences to rediscover truly forgotten films. Such is the case with Monogram Pictures Decoy, in which a drop-dead gorgeous dame Margo Shelby, played by British newcomer, Jean Gille, revives her gangster boyfriend after he dies in the gas chamber, not because she's so fond of him, but because he knows where the loot is buried.
Illegal (1955): When his career as a D.A. unexpectedly collapses, tenacious Victor Scott turns to defending criminal lowlifes. Edward G. Robinson plays Scott in this snappy remake of The Mouthpiece (1932) directed by Lewis Allen (The Uninvited).
The Big Steal (1949): Out of the Past's Robert Mitchum and Jane Greer reteam in The Big Steal, speeding along Mexican roadways in pursuit of a grifter who has a suitcase that may be stuffed with cash. This film, both tense and humorous at the same time is directed by Clint Eastwood's filmmaking mentor, Don Siegel.
They Live By Night (1948): Young escaped convict Bowie (Farley Granger) and Keechie (Cathy O'Donnell) just want to let their new love blossom. But thugs like Chicamaw 'One-Eye' Mobley (Howard da Silva) have other ideas, forcing Bowie to be their accomplice.
Side Street (1950): In Side Street, Granger and O'Donnell team again as struggling marrieds in an unforgiving Manhattan. In a moment of weakness, the letter carrier gives in to temptation and steals what he thinks is a few hundred dollars. But its $30,000, tied to some ruthless blackmailers, and Granger's attempt to return it puts him in deeper peril. Anthony Mann (Border Incident) directs with a flair that makes the city a key player in this noir nerve-jangler.
Where Danger Lives (1950): Robert Mitchum, playing a doctor smitten with desire for a beautiful patient (Faith Domergue) who's brought in after an attempted suicide, journeys Where Danger Lives when the would-be lovebirds go on the lam. Ahead is Mexico, miles back is the husband's (Claude Rains) corpse. But the final destination for the illicit pair could be a dead end in this dark gem of a film directed by John Farrow (The Big Clock)
Tension (1950): Noir favorite Audrey Totter (The Set-Up) leaves her mousy but devoted spouse (Richard Basehart) for another man, and the Tension mounts as he plots revenge, then sees his plan take an unexpected turn. Cyd Charisse, Barry Sullivan and William Conrad co-star in a bitter tale of the postwar American dream frayed into nightmare.
